GENERAL EDUCATION
Business
Management
AS250 Fall 3/3/45
An
introduction to skills necessary for managing a business office: including finding jobs and clients, collection and management of information and services, management of projects, presentations, large and small contracts, ect., as well as general business practices in a corporate or private firm office.
Business
Practices
AS250 Fall 2/2/30
An
introduction to business and legal tools needed to succeed as a professional
artist, designer or photographer. The course material includes information
relative to running a business (e.g. marketing plans, publicity, budgeting)
as well as the legal basics necessary to conduct an art business (e.g. copyright, contract, taxes).
Developmental Learning
AS98 No credit
A course to provide students study skills to help them succeed in academic classes. Tutorial support by referral; personal request for scheduled appointments, and walk-in basis.
Effective Speaking
AS367 Fall/Spring 3/3/45
A communication course designed to build confidence in speech, develop skill in preparation and organization, and utilize proper technique in delivery. Informative and persuasive presentations are emphasized together with attention to visual aids.
English I
AS101 Fall 3/3/45
A course in the articulation of ideas through the development of basic writing skills. Students are introduced to models of correct rhetorical usage and to application of the principles of the formal essay.
General Psychology
AS210 Spring 3/3/45
A survey of psychology as behavioral science, including its scientific origins: human development, learning, memory and thinking, motivation and emotion, personality, intelligence, and social psychology.
History of Contemporary Art
AH406 Spring 3/3/45
Beginning with 1945, the course explores art movements against the background of world change with respect to social and technological points of view.
History of Modern Art
AH305 Fall 3/3/45
Beginning with Jacques Louis David and the early 19th-century French movements, the history of Western art up to 1945 is discussed. The course focuses on social and technological changes and how changing points of view influenced art styles and concepts.
History of Western Art I
AH105 Fall 3/3/45
A survey of the painting, sculpture, and architecture of the western world from Prehistory through the Medieval period. This course concentrates on a close, formal investigation of aesthetic and technical development in relation to the social, political, and cultural growth of western civilization.
History of Western Art II
AH106 Spring 3/3/45
A survey of the painting, sculpture, and architecture of the western world from the Renaissance through the Modern Period. This course concentrates on a close, formal investigation of aesthetic and technical developments as they relate to the social, political, and cultural growth of western civilization.
Introduction to Biology
AS355 3/3/45
A study of biology principles-cellular and tissue morphology, energy production and utilization, genetics, reproduction, as well as evolution and ecology.
A non-laboratory course.
Introduction to Philosophy
AS205 3/3/45
A survey of the meaning and the function of philosphy including its intergrating and interpretive character in such fields as art, history, politics, religion, and science. Identification of basic issues and major types of philosophy and their sources in experience, history, and classic philosophies.
Introduction to Physical Science
AS356 3/3/45
A survey of the physical world as postulated in contemporary scientific thought, including the following topics: emotion and energy, basic ideas of electricity, phenomena of light and radiation, chemical reaction and the structure of matter, the microworld of atoms and molecules, atomic energy and its implications, and the extent and structure of the stellar universe.
A non-laboratory course.
Introduction to Sociology
AS340 3/3/45
An introduction to the major concepts and methods of sociology. Investigation of the development and functioning of social groups and institutions in conjunction with their impact on individuals in society.
Mathematical Ideas
AS331 Fall 3/3/45
A review of mathematics with the following topics: algebra, whole numbers, fractions, decimals, percentages, ratio, proportion and integer exponents, square roots, graphing, and and linear equations.
Western Civilization I
AS321 Fall 3/3/45
A survey of cultures that have contributed importantly to the development of Western thought & institutions from prehistoric times through the evolution of ancient civilizations and medieval Europe to the formation of contemporary nations. Examination of major economic, political, & intellectual forces for their influence upon contemporary society.
Western Civilization II
AS322 Spring 3/3/45
A survey of the development of western civilization from the Age of the Reformation to the present; examination of religious, political, and social-economic forces together with dominant philosophies, intellectual movements, and personalities that have shaped contemporary western society.
COMPUTER
COURSES
Applied Drafting Techniques
CG250 Spring 2/3/45
The third CAD course. Drafting of plans, elevations, sections, and furniture
layout of simple ongoing residential design projects.
·Lab fee ··Prerequisite: CG151
AutoCAD LT
CG150 Fall/Spring 2/3/45
Introduction to CAD. Drafting of plans, elevations, sections, and furniture layout of simple ongoing residential design projects.
·Lab fee ··Prerequisite: ID116 (conditional)
Computer Drawing
CG371 Spring 2/3/45
This course is presented on the Macintosh platform and is a hands-on course. Students must have some level of computer experience to enter this class. The ability to draw is also very helpful. Assignments will deal with the operations of the program, and some scanning will be introduced.
·Lab fee ··Prerequisite: CG360
Computer Page Layout
CG380 Fall 2/3/45
This is a hands-on course on the Macintosh platform. Students must have some level of computer experience to enter this class. Valuable design and production aspects of QuarkXpress and InDesign are learned in detail.
·Lab fee ··Prerequisite: CG360
Construction Documents
CG251 Fall 2/3/45
The final CAD course. Drafting of plans, elevations, sections, and furniture layout of simple ongoing residential design projects.
·Lab fee ··Prerequisite: CG250
Digital
Imaging Portfolio
PH462 Spring 3/5/75
This course will provide the student with the opportunity to work on a single
theme of his or her own choosing, under the guidance of the instructor.
·Lab fee ··Prerequisite: PH252
Digital
Media I
PH251 Fall 2/3/45
This course is designed to introduce the student to the fundamentals of digital
photography. It will include both digitized negatives and slides, and direct-capture
using the digital camera.
·Lab fee ··Prerequisites: PH102 and CG260
Digital
Media II
PH252 Spring 2/3/45
This course is a continuation of Digital Photography I and will increase the
students level of comprehension and ability in the world of digital photography.
Emphasis will be placed on the production of B+W Quadtone prints, Stochastic
prints, and digital negatives.
·Lab fee ··Prerequisite: PH251
Digital
Photography Book
PH461 Fall 3/5/75
The student will amplify and extend the expressive content of a body of photographs
by incorporating words with these images and producing a small publication.
·Lab fee ··Prerequisite: PH252
Digital
Photography Restoration
PH361 Fall 3/5/75
A course in the principles and techniques used in computer restoration of
old and/or damaged photographs. Emphasis will be placed upon the understanding
of computer programs needed to restore a photograph to its original quality.
·Lab fee ··Prerequisite: PH252
Digital
Portrait Negative Retouching
PH362 Spring 3/5/75
A course in the technique of digital negative retouching in the field of photographic
portraiture. The areas of both commercial and fine art will be covered, as
well as methods and principles for both improving and repairing negative images.
The course is also designed to instruct students in the use of special software
applications relevant to digital portrait negative retouching.
·Lab fee ··Prerequisite: PH252
Introduction
to Computer Animation
GD 342 Fall/Spring 2/3/45
This course is intended to introduce the advanced student to the basics of
computer animation, especially as it relates to uses on the internet, and
for interactive presentation applications. Using the best of the current software
packages, animated and interactive web sites will be discussed and realized.
Additionally, students will be exposed to some of the more complex aspects
of current animation software. To take this class, students must either meet
the prerequisites below, or prior to registration, demonstrate their abilities
in Adobe Illustrator and Photoshop.
·Lab fee ··Prerequisite: CG260 & CG370
Introduction
to Computer Graphics
CG360 Fall/Spring 2/3/45
This course acquaints students with the hardware and most useful software
available for the Macintosh. The most current operation systems will be the
basis of understanding how the computer works and why it is an invaluable
tool for all artists and designers.
·Lab fee
Multi-Media Design
CG361 Fall 2/3/45
This course introduces students to computer techniques applicable to a variety of markets to which they may apply their computer skills. Students are introduced to Web Design, Animation, Electronic Presentations, Promotions and other areas that require expertise in “digital design”. Lab fee ··Prerequisite: CG360
Painting
on the Computer
CG370 Spring 2/3/45
A hands-on course used to create original artwork on the Macintosh. Programs
such as Corel Procreate Painter 9, Adobe Illustrator CS2, and Adobe Photoshop
CS2 will be introduced.
·Lab fee ··Prerequisite: CG360
Photo
Digital Imaging
CG260 Spring 2/3/45
This course is presented on the Macintosh platform and is a hands-on course.
Students must have some level of computer experience to enter this class.
This program allows scanned images to be manipulated for photo retouching
or graphic enhancement.
·Lab fee ··Prerequisite: CG360
Technical
Drafting on CAD
CG151 Fall 2/3/45
The second in a series of CAD courses. Drafting of plans, elevations, sections,
and furniture layout of simple ongoing residential design projects.
·Lab fee ··Prerequisite: CG150
Video Production
PH471 Fall 3/5/75
An opportunity for the student to obtain experience with the equipment and software application of basic video and multimedia techniques used to produce digital motion projects.·Lab fee ··Prerequisite: PH252
Web
Page Design
CG381 Spring 2/3/45
For students familiar with computer graphics who want to gain access and familiarization
with current web page design software, build their own site, and explore graphic
and interactive possibilities of the medium. To take this class students must
either meet the prerequisites below, or demonstrate their abilities in Adobe
Illustrator and Photoshop.
·Lab fee ··Prerequisite: CG260 & CG370
FOUNDATION
Color/Design
FO100 Spring 3/5/75
An exploration of the elements necessary to master the visual aspects of color
and the two-dimensional picture plane. Dynamics of design and color are also
studied for a better understanding of illusionary, abstract, and non-objective
forms.
Drawing
I
FO111 Fall/Spring 3/5/75
An introduction to the use and handling of basic drawing media. The emphasis
is on linear solutions of solids in space and the building of self-confidence
to communicate ideas through drawing.
Drawing
II
FO112 Fall/Spring 3/5/75
A further introduction to drawing media and modes. The emphasis is on spatial
illusion through the modeling of form on a two-dimensional surface.
··Prerequisite: FO111
Lettering
FO121 Spring 2/3/45
An introduction to basic letter forms, lettering characteristics, and alphabets.
The course is aimed at strengthening the student's awareness of visual grace,
rhythm, style, and proportion through an understanding of letter formation
and type.
Painting
I: Oil
FO131 Fall/Spring 3/5/75
Introduction to the use of values in painting to describe form, light and
shadow, and depth on a two-dimensional surface.
Painting
II: Oil
FO132 Fall/Spring 2/3/45
The representation of inanimate objects with oil paint. The course is aimed
at training the student's ability to define colors and values of specific
objects for the purpose of creating illusions of three dimensions.
··Prerequisite: FO131
Perspective
FO123 Fall 2/3/45
A study of linear spatial illusions as an exact
science with particular reference to the needs of the artist.
Three-Dimensional
Design
FO141 Spring 2/3/45
An introduction to the manipulation of simple solid materials (e.g., wire,
string, paper, paperboard, etc.) to familiarize the student with solid forms
in space and the representation of designed volumes in three dimensions. The
purpose is to sharpen the student's skill in transferring form to a two-dimensional
surface.
FINE
ARTS
Advanced Color/Design
FA223 Spring 3/5/75
Continuation of Foundation Year color/design course concentrating on more
complex problems of chemistry, psychology, symbolism, and interrelations of
color to problems of communication encountered by the artist/designer. An
advanced problem-solving course dealing with the visual nature of traditional
composing and contemporary design imagery.
··Prerequisite: FO100
Clay
Figure Modeling
FA282 Spring 3/5/75
Practice in sculpting from human figures in clay. Poses will vary in length,
and exploratory studies and sketches form the basis of the sculptural exploration.
·Lab fee ··Prerequisite: FO141
Drawing
III
FA225 Fall 3/5/75
The exploration of various formulae for the creation of linear and tonal images
utilizing graphite and other media. The concepts of expression are increased
in complexity.
··Prerequisite: FO112
Fine Art Thesis I
FA487 Fall 3/5/75
The Fine Art Thesis Course are required for all Bachelor of Fine Art Degree and Fine Art Diploma Students. This course is to be taken in the senior year. The course will include: Portfolio Developement, Creation of a Thesis of a Body of Work, Solo and Group Exhibitions, Student Presentations, Faculty Advisory and Critique Panel, Guest Critics and Lechurers and Field Trips.
··Prerequisite: Painting III and Painting IV
Fine Art Thesis II
FA488 Spring 3/5/75
This course is the continuation of Fine Art Thesis I.
··Prerequisite: Painting III and Painting IV
Head
Painting I
FA341 Fall 3/5/75
A fundamental course in painting the head and shoulders of the draped model.
The course is designed to develop a controlled approach to portraiture.
·Lab fee ··Prerequisite: FO132
Head
Painting II
FA342 Spring 3/5/75
A study of flesh color of the head and shoulders under specific lighting conditions.
This course is aimed at increasing knowledge and control of an extended color palette, increased technical options, and refinement of
previously learned skills.
·Lab fee ··Prerequisite: FA341
Intaglio Printing
FA281 Fall 2/3/45
This course is an introduction to the materials and techniques of printmaking. Technical and aesthetic considerations are explored within the processes of creativing monotypes, drypoints, intaglios, photographic transfers and several additiona printing techniques.
·Lab fee
Landscape Painting
FA225 Fall 3/5/75
A course devoted to the detailed description, of natural forms and spaces. Special attention is given to the rendering of surface textures and edges. Under-painting and over-painting procedures are carefully observed.
Life
Drawing I
FA251 Fall 2/3/45
An introduction to the drawing of the nude figure. Emphasis will be placed
on the anatomical structure of the human figure through careful study of bone
and muscle construction.
·Lab fee ··Prerequisite: FO112
Life
Drawing II
FA252 Spring 2/3/45
Development of the visual presentation of the nude model. Emphasis is on the
relationships of volume, proportion, and position in space.
·Lab fee ··Prerequisite: FA251
Life
Drawing III
FA351 Fall 2/3/45
Drawing from the nude model stressing form and value.
·Lab fee ··Prerequisite: FA252
Life
Drawing IV
FA352 Spring 2/3/45
Studies from the model using a variety of non-paint media and surfaces.
·Lab fee ··Prerequisite: FA351
Life
Drawing V
FA451 Fall 2/3/45
Drawing the human figure with emphasis on producing a refined drawing. Special
attention to drawing hands, feet, and the head.
·Lab fee. ··Prerequisite: FA352
Life
Painting I
FA445 Fall 3/5/75
An introduction to the painting of the nude figure from the live model. The
emphasis is on the problem-solving nature of the drawing translated into color
and defined with paint.
·Lab fee ··Prerequisite: FA252
Life
Painting II
FA446 Spring 3/5/75
The painting of the undraped figure stressing color values and drawing relationships.
·Lab fee ··Prerequisite: FA445
Painting
III: Trompe L'Oeil
FA259 Fall 3/5/75
The creation of the trompe l’'oeil, the complete illusion of inanimate
objects in space — the mastery in oils of the total visual impression
of three-dimensions on a two-dimensional surface.
··Prerequisite: FO132
Painting
IV: Oil
FA260 Spring 3/5/75
A course in painting which allows the student to explore abstract art and
individual creative solutions to imagery and perceptions.
··Prerequisite: FA259
Painting
on Location
FA390 Spring/Summer 2/3/45
Introduction to the principles and techniques of outdoor landscape painting.
Emphasis on observation, nature's palette, and how to design and simplify
landscape elements at many inspiring sites in the region. Alla prima and underpainting
methods will be practiced.
Painting:
Watermedia Applications
FA273 Spring 3/5/75
A course devoted to the expression of light and space through a variety of
water-based media. A prime course objective is experimentation and spontaneity
aimed at enlarging the student's visual vocabulary.
Portrait
Painting I
FA477 Fall 3/5/75
A course designed for the advanced student who intends to pursue the art of
portrait painting as a profession. The emphasis is on characterization
of the model within a selective and related environment.
·Lab fee ··Prerequisite: FA341
Portrait
Painting II
FA478 Spring 3/5/75
A continuation of Portrait Painting I, FA477. This course is designed for
the advanced student who intends to pursue the art of portrait painting as
the characterization of the model within a selective and related environment.
·Lab fee ··Prerequisite: FA477
Studio
Painting: Abstract
FA487 Fall 3/5/75
Painting in a variety of media with emphasis upon the process and experience
of producing images in abstract and non-objective modes in the spirit of our
time.
··Prerequisite: FA260
Studio
Painting: Experimental
FA488 Spring 3/5/75
Painting in traditional, contemporary, and mixed media with the aim of exploring
and developing a personal point of view in art through guided experimentation.
·Lab fee ··Prerequisite: FA260
Studio
Painting: Representational
FA387 Fall 3/5/75
Painting in a variety of media with emphasis upon achieving competency in
expressive renditions of images in the realistic tradition.
··Prerequisite: FA260
GRAPHIC DESIGN
Advertising
Design I
GD201 Fall 2/3/45
Introduction to designing and production of advertisements and advertising
materials. Typography, layout, rendering, and mechanical preparation are studied.
Advertising
Design II
GD202 Spring 2/3/45
Further study in the development and design of advertising materials as applied
to television; to folders, brochures, mailing pieces; and to point-of-purchase
materials.
··Prerequisite: GD201
Advertising
Design III
GD301 Fall 2/3/45
A course in the preparation of finished art for client presentation and the
speed necessary for creating advertising layouts. Finished work for mailers,
packaging, and illustrations. ·Prerequisite: GD202
Advertising
Design IV
GD302 Spring 2/3/45
A course involving the mechanics and production technology of the printed
page and of television as they apply to advertising.
··Prerequisite: GD301
Advertising
Portfolio I
GD403 Fall 2/3/45
A course dealing with solutions to a single advertising theme. The campaign
covering TV, newspapers, billboards, brochures, and three-dimensional designs,
and the development of a professional portfolio. Consideration of advertising
employment opportunities and requirement.
··Prerequisite: 3rd, yr. Graphic Design program
Advertising
Portfolio II
GD404 Spring 2/3/45
A continuation of GD403 and the completion of the advertising campaign. The
presentation of the finished art is evaluated as a campaign project for inclusion
in the student's portfolio.
··Prerequisite: GD403
Art
Direction I
GD411 Fall 3/4/60
The Macintosh format introduces students to realistic job situations in which
the art director as communicator and thinker is stressed. Product and people-orientation
advertising are emphasized.
·Lab fee ··Prerequisite: 3rd, yr.Graphic Design program
Art
Direction II
GD412 Spring 3/4/60
A continuation of GD411 with the Macintosh format helping to place emphasis
on preparing the student for entry-level positions leading to required skills
and responsibilities of an art director. Model hiring, type specifying, and
illustrator hiring are explored.
·Lab fee ··Prerequisite: GD411
Concept Rendering
GD224 Spring 2/3/45
The use of felt markers for the presentation of layouts and rough visuals.
Graphic
Design I
GD240 Fall 2/3/45
A study of corporate-images support through graphic design. The development
of a consistent visual format throughout the corporate material. Logos, ads,
brochures, collateral materials, etc. will be explained and examined.
··Prerequisite: Foundation Year
Graphic
Design II
GD241 Spring 2/3/45
A further study and more intensive study of corporate-image support graphic
design including conceptualization, paper stock, printing, embossing, and
die cutting. Lectures and assignments on media, strategy, promotion, and marketing
of corporate image.
··Prerequisite: GD240
Graphic
Design III
GD340 Fall 2/3/45
Working with clients and responding to their advertising needs are major elements
of art direction. Through lectures and critiques, this course examines the
psychological aspects of graphic design as they apply to the advertising needs
of the clients.
··Prerequisite: GD241
Graphic
Design IV
GD341 Spring 2/3/45
Designs and concepts as they apply to the consumer are emphasized. The projects
developed for the course are more complex with respect to the psychological
impact of the imagery upon the mass market.
··Prerequisite:
GD340
Graphic
Production
GD233 Fall 3/5/75
The first in a series of courses dealing with an understanding of major aspects
of printing processes.
Graphic
Production for Photographers
GD250 Fall 2/3/45
The intent of this course is to acclimate the photo students to the digital
photography platform.
Intro
to Self-Promotion
GD342 Fall/Spring 2/3/45
This course will acquaint students with ways of self-promoting their artistic
skills and services through various marketing and public relations strategies.
Package Design: Marketing
GD417 Spring 2/3/45
A course for the advanced student. New materials are explored in the broad
spectrum of creative possibilities in the design of packaging for commerce.
··Prerequisite: 2nd year Graphic Design program
Package
Design: Materials
GD317 Fall 2/3/45
An exploration of materials used in commercial three-dimensional graphics
(e.g., packaging, sign-age, point-of-purchase display, and corporate-identity
programs).
··Prerequisite: 2nd year Graphic Design program
Publication
Design I
GD421 Fall 2/3/45
For the advanced student. The creative and mechanical requirements of magazine,
news-paper, and in-house organization design and production.
··Prerequisite: 3rd year Graphic Design program
Publication
Design II
GD422 Spring 2/3/45
For the advanced student. Problems in redesign of existing publications.
··Prerequisite: GD421
Typography
GD229 Fall 2/3/45
A study of the various faces of type and their designers. Methods of specifying
type and character counting are discussed in detail.
ILLUSTRATION
Art
of the Cartoon
IL244 Spring 2/3/45
An introduction to modern cartooning as seen through the demands made by art
agencies, studios, and editors. The course acquaints the student with major
techniques and materials in the areas of comics, editorial and sports cartooning,
and lettering.
Book
Illustration
IL307 Fall/Spring 2/3/45
Exploration of steps in the production of an illustrated book of any type.
Assignments stress planning, limits encountered, and production of finished
artwork for presentation. ··Prerequisite: IL208
Children's
Book Design
IL403 Fall 2/3/45
The preparation of non-fiction picture books for young readers. The course
deals with current aspects of juvenile publishing from concept through contract
to the presentation of the dummy.
··Prerequisite: IL208
Comic Book Storytelling
IL245 Spring 2/3/45
Development of characters with sequential
storytelling. Emphasis is on building consistency
in rendering techniques.
Drawing
IV: The Clothed Figure
IL340 Fall 3/5/75
Practice in drawing from simply clothed figures in a variety of basic media,
with emphasis on illustrational style and point of view. Although poses vary
in length, exploratory studies and sketches form the basis for the course.
·Lab fee ··Prerequisite: FA225
Drawing
V: The Clothed Figure
IL440 Fall 3/5/75
Continued practice in drawing the clothed figure with greater expectation
of sophistication regarding media and illustration style, and stressing larger,
more complex finished drawings.
·Lab fee ··Prerequisite: IL340
Experimental Artists Book
IL433 Fall 2/3/45
A course dealing with publications problems enabling students to explore various avenues of one's own self expression and to further develop tehniques to enhance their portfolio.
·Lab fee ··Prerequisite: IL424
Figure
in Advertising I
IL327 Fall 2/3/45
Quick-action poses of the draped model in a variety of media aimed at specific
needs of the advertising designer or illustrator. The focus is on expressive
line.
·Lab fee ··Prerequisite: FO112
Figure
in Advertising II
IL328 Spring 2/3/45
Quick action poses of the draped model in a variety of media aimed at specific
needs of the advertising designer or illustrator. The focus is on form, anatomy,
and their effects on the drapery.
·Lab fee ··Prerequisite: IL327
Figure
in Advertising III
IL427 Fall 2/3/45
Advanced studies of the draped model in a variety of media. The emphasis is
on the figure in an environment and as a design.
·Lab fee ··Prerequisite: IL328
Illustration
I
IL207 Fall 2/3/45
An introduction to illustration: advertising, editorial, book, and institutional.
The emphasis is on the role of the freelance illustrator: artist-client relationships,
portfolio preparation, portfolio presentation, the artist's representative,
contractual arrangements, and other pertinent business matters.
··Prerequisite: Foundation program
Illustration
II
IL208 Spring 2/3/45
A further in-depth study of the work of the free-lance illustrator. The student
is confronted with assignments based upon working manuscripts or copy requiring
fresh approaches.
··Prerequisite: IL207
Illustrations
Methods I
IL325 Fall 2/3/45
Introduction and intermediate procedures of drawing, composition, and use
of photography as practiced in contemporary illustration. Models will be used.
··Prerequisite: IL207
Illustration
Methods II
IL326 Spring 2/3/45
Advanced procedures in drawing, composing, and use of photography in preparing
illustrations. Models will be used.
··Prerequisite: IL325
Illustrator's
Portfolio I
IL429 Fall 3/4/60
The preparation of finished samples for presentation to art agents and art
directors. Samples are produced in the student's special interest areas. Procedures
and interviews are held in a simulated professional environment.
··Prerequisite: IL326
Illustrator's
Portfolio II
IL430 Spring 3/4/60
A continuation of IL429 with an emphasis on procedures for establishing working
relationships within the commercial art market.
··Prerequisite: IL429
Illustration
for Publications
IL433 Fall 2/3/45
A course dealing with publication problems exclusive of cover art. The student
must respond with comprehensive presentations coordinating type, illustration,
and layout according to the needs of the publication. Actual copy and design
specifications are used.
··Prerequisite: IL424
Painting
IV: The Clothed Figure
IL341 Spring 3/5/75
Practice in painting from the clothed figure in oil paints, with emphasis
on illustrational style and point of view. Short poses leading to quick studies
and color sketches form the basis for the course.
·Lab fee ··Prerequisite: FA260
Painting
V: The Clothed Figure
IL441 Spring 3/5/75
Continues practice in painting the clothed figure with more time spent on
larger, more complex subjects. Continued use of oil paint, with the addition
of watermedia, acrylic, and other media of the student's choice in illustration
applications.
·Lab fee ··Prerequisite: IL341
INDEPENDENT STUDY
Independent Study
IS201 Fall/Spring 1-3 SH/3-9CH
An opportunity to participate in planned learning experiences which are extensions
of regular course offerings. Students develop learning contracts with faculty
members which specify objectives, assignments, and course credit(s).
··Prerequisite: signed permission of the faculty member
in the study area, the Division Director, and the Dean of the College.
INTERIOR DESIGN
Additions,
Renovations, and Re-Use
ID225 Spring 2/3/45
Studio extension of ID 217. Emphasis is on architectural and critical design
philosophies. The inter-action of space & time, light and structure, cavity
& shell, proportion and materials, are explored. Emphasis on sketching,
questioning, and revising.
··Prerequisite: one semester of 1st.-year Interior Design
studio
Advanced
Contract Design
ID442 Fall 4/6/90
Fourth year design studio. Ambitious and complex contract design projects
are chosen to reflect the realities, constraints, and opportunities facing
the professional interior designer.
··Prerequisite: one semester of 3rd.-year Interior Design
studio
Construction
I
ID245 Spring 2/3/45
Studio lecture and field trips. Introduction to basic structural concepts
and terminology, wood frame, mechanical and electrical systems, and how they
affect the design of the interior. Emphasis is on residential technology and
scale. Course is intended to help students enrolled in ID 216 Residential
Design and can also be taken independently.
··Prerequisite: one semester of 1st.-year Interior Design
studio
Construction
II
ID344 Fall 2/3/45
Studio and lecture. An introduction to steel and concrete construction and
terminology, construction sequence. Fire-proofing, fire-rating, building classification,
elevators, mechanical rooms, shafts and plenum, typical floor, wall and ceiling
finishes, fixtures and hardware. Field trips.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Furniture
Design and Theory
ID368 Fall 2/3/45
Lectures and field trips provide an introduction to furniture, proper terminology, & history. Practical application to Interior Design field is emphasized.
History
of Interiors I
ID277 Fall 3/3/45
Lecture and studio. Historical and contemporary, single, central spaces are
discussed and sketched. Emphasis is conceptual. Programs, function, culture, & history are related to architectural and interior design solutions.
··Prerequisite: one semester of 1st-year Interior Design
studio
History
of Interiors II
ID426 Spring 3/3/45
Lecture & studio. Historical and contemporary planning philosophies, sequence
of spaces, & circulation as form are discussed and sketched. Some model
making. Programs, function, culture & history are related to architectural
& ID solutions.
··Prerequisite: one semester of 1st-year Interior Design
studio
Hospitality
and Retail Design
ID418 Spring 2/3/45
Third year design studio. Store, restaurant, or institutional space planning
projects. Emphasis is on appropriateness and atmosphere, lighting, color,
and materials.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Interior
Design Business
ID450 Spring 3/3/45
Finding jobs and clients, collection and management of information and sources,
management of a project, presentations, etc., as well as general business
practices are introduced in this highly structured course. Access to computers
for demonstrations. Guest speakers.
Interior
Design Concept Presentation
ID117 Spring 2/3/45
A continuation of drafting practice techniques of ID 116. This course can
also serve as an introductory course. To be taken in conjunction with ID 274
and ID 121 as part of the three-course Spring semester interior design studio
or independently as a technical course.
Interior
Design Drafting
ID116 Fall 2/3/45
Basic architectural drafting techniques are gradually introduced and are applied
to the three, fall semester interior design projects. This course is to be
taken in conjunction with ID 273 and ID 120 as part of the three-course design
studio, or independently as a technical course.
Interior
Design Drawing
ID111 Fall 2/3/45
An introduction to the use and handling of basic drawing media. Emphasis is
on linear solutions of solids in space and the building of self-confidence
to communicate ideas through drawing.
Interior
Design Field Trips
ID246 Summer 2/3/45
Field trips to selected construction sites, including a mix of residential,
commercial, & institutional projects. Repeat visits as required to observe
various construction & installation phases. Grading based on attendance,
participation and notebooks.
Interior
Design Perspective
ID273 Fall 2/3/45
Students are shown two hard-line, simple and practical perspective methods
to be applied to the three-course interior design studio projects. Emphasis
is on scale and linear precision. This course is to be taken in conjunction
with ID 116 and ID 120 as part of the design studio or independently as a
technical course.
Interior
Design Rendering
ID274 Spring 2/3/45
Practice of hard-line perspective methods with emphasis on color, light, and
texture. Perspective renderings are applied to the three-course Spring semester
interior design studio projects. This course is to be taken in conjunction
with ID 121 & ID 117 or independently as a technical course.
Interior
Design Study Models
ID228 Fall 2/3/45
An extension of ID 216, residential design studio projects. Quick study models
to explore and test design solutions. Model making materials will vary according
to design problem.
··Prerequisite: one semester of 1st-year Interior Design
studio
Introduction
to Contract Design
ID417 Fall 2/3/45
Third year interior design studio. Space planning. Projects acquaint the student
with the corporate world: lobbies, receptions, work stations, conference rooms.
Emphasis is on organization, efficiency and circulation.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Introduction
to Form and Space
ID120 Fall 2/3/45
Conceptual leg of the three-course fall semester first year interior design
studio. Freehand sketching, discussion, 3-D models and written description
of design solutions. Critical and creative approaches are introduced. To be
taken with ID 273 and ID 116. Fall semester design problems emphasize invention
and imagination.
Introduction
to Interior Design
ID121 Spring 2/3/45
Conceptual leg of the three-course Spring semester interior design studio.
Free-hand sketching, discussion, 3-D models, & written description of
design solutions. Critical & creative approaches are developed. To be
taken with ID 274 & ID 117. The Spring
semester's design problems emphasize observation, analysis, and design development.
··Prerequisite: ID216 or ID217
Introduction
to Ornament
ID475 Spring 3/3/45
Lecture and studio. Through sketching, hard-line drawing, and research, students
discover the dominant historic ornamental motifs and concepts of major civilizations.
Terminology, functions, and symbolism will also be explored. Examples will
range from folk art to high art to derivative imitations, applications, and
appropriations. Discrimination and connoisseurship are encouraged.
··Prerequisite: ID216 or ID217
Kitchen
and Bath Design I
ID444 Fall 2/3/45
A close examination of the technical, practical and economic realities of
kitchen and bath design. Includes clients' concerns, installation problems,
and new developments in appliances and materials.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Kitchen
and Bath Design II
ID445 Spring 2/3/45
A more advanced development of ID 444.
In-depth study of period elements in kitchen design. Course includes an advanced
kitchen
project and an intermediate bath project. Field trips provide exposure to
elements introduced in these K&B courses.
··Prerequisite: ID444
Lighting
& Mechanical Systems
ID381 Fall 2/3/45
Lecture and studio extension of ID 323. A technical study of lighting and
mechanical systems, introduction to illumination, computation,
fixtures, controls and lamp types. Introduction to fuels, heating systems,
heat loss, ventilation and air-conditioning.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Materials
I
ID330 Spring 3/3/45
Lecture and field trips. General introduction to basic construction and finish
materials and appropriate terminology and specifications for interior design.
Special attention is given to the responsibilities of the interior designer:
aesthetics, safety and code, ““green”” products.
Materials
II
ID331 Spring 2/3/45
A studio extension of ID 442. Materials installation, fabrication, and detailing
are explored to contribute to ID 442 presentations.
··Prerequisite: one semester of 3rd-year Interior Design
studio
Model
Making of Interiors
ID229 Spring 2/3/45
Studio extension of ID 217. Each of the three design projects of the semester
is explored through finished models including indications of materials, casework,
and built-ins.
··Prerequisite: one semester of 1st.-year Interior Design
studio
Presentation
Techniques
ID495 Spring 3/5/75
An extension of ID 443. The purpose of this course is to raise student presentations
to professional levels and provide students with a high quality portfolio.
··Prerequisite: one semester of 1st-year Interior Design
studio
Residential
Design
ID216 Fall 2/3/45
Second year design studio. Renovations or creations of single spaces in existing
conditions. Sketching, drafting, and rendering of completed solutions including
materials. Three projects per semester. Residential projects include living
spaces, working spaces, kitchen, bath, & vertical circulation. Introduction
to lighting and construction methods.
··Prerequisite: one semester of 1st-year Interior Design
studio
Residential
Planning
ID217 Spring 2/3/45
Second year Spring semester design studio.Residential additions. Sequence
of spaces, programming, circulation, and lighting. Sketching, drafting, rendering
of completed solutions including materials. 3 projects per semester.
··Prerequisite: one semester of 1st-year Interior Design
studio
Senior
Projects
ID443 Spring 4/6/90
Fourth year studio. These final projects are selected to provide students
with the opportunity to demonstrate problem solving abilities and professional
competence in general. Emphasis is on personality and originality.
··Prerequisite: one semester of 3rd-year Interior Design
studio
Special
Problems in Architecture
ID324 Spring 2/3/45
Studio extension of ID 418. Emphasis is on learning to take advantage of unusual,
limiting, or difficult existing conditions in the architectural context of
interior design problems. All graphic work is to be included in ID 418 presentations.
··Prerequisite: one semester of 2nd-year Interior Design
studio
Textile
Selection
ID430 Fall 3/3/45
The same description as ID432 except only applied to floor, wall, and panels
and partitions.
Textile
Applications and History
ID432 Spring 2/3/45
Introduction to textile applications and textile history for the interior
designer. Emphasis is placed on the proper selection of and yardage calculations
for finished fabrics applied to upholstered goods, window, and bed and bath
applications. The care of textiles and relevant product standards, safety
legislation and "green" concerns are also covered.
Field trips will introduce the student to the workroom environments and their
craftspeople.
The
Corporate Building
ID 323 Fall 2/3/45
Lecture and studio extension of ID 417. Introduction to the architecture,
codes, sociology and history of the typical workplace building. This course
aims to familiarize students with the realities of, and provide a context
for the corporate space planning projects of ID 417.
··Prerequisite:
one semester of 2nd-year Interior Design studio
PHOTOGRAPHY
Black
and White Photography I
PH101 Fall 3/5/75
A course in the fundamentals of photography. Emphasis is on control and understanding
of camera, film, paper and basic photographic processes including the making
of negatives & prints.
·Lab fee
Black
and White Photography II
PH102 Spring 3/5/75
This course will investigate multiple printing techniques and chemical correction
of the negative. Because it is a continuation of Black and White Photography
I, this course will place emphasis upon the use of the zone system for exposure
and development control.
·Lab fee ··Prerequisite: PH101
Black
and White Photography III
PH441 Fall 3/5/75
A continuation and expansion of Black & White Photography II. This course
will provide the student with the opportunity of increased involvement with
photographic theories and techniques.
·Lab fee Prerequisite: PH202; PH219
Business
Practices for Photographers
PH351 Fall 2/3/45
This course will introduce students to the business and marketing practices
common to photography. Emphasis will be placed on developing professional
objectives based upon careful consideration of the financial, legal, organizational,
promotional, interpersonal and ethical practices particular to photography.
Color
Photography I
PH111 Spring 3/5/75
An introduction to the use of color photography, with emphasis upon processing
and printing color negatives. Also covered will be the use of filter packs
and their exposure compensations.
·Lab fee ··Prerequisite: PH101
Color
Photography II
PH211 Fall 3/5/75
A continuation of the skills and processes introduced in Color Photography
I. Emphasis is placed upon materials.
·Lab fee ··Prerequisite: PH111
Contemporary
Concepts
PH202 Spring 3/5/75
This course is designed to be an in-depth involvement with concept, and the
proper relationship of form to a given concept. Thematic organization and
visual sequencing are also emphasized.
·Lab fee ··Prerequisite: PH219
Digital
Imaging Portfolio
PH462 Spring 3/5/75
(see above in the Computer Courses)
Digital
Media I
PH251 Fall 2/3/45
(see above in the Computer Courses)
Digital
Media II
PH252 Spring 2/3/45
(see above in the Computer Courses)
Digital
Photography Book
PH461 Fall 3/5/75
(see above in the Computer Courses)
Digital
Photography Methods
PH361 Fall 3/5/75
(see above in the Computer Courses)
Digital
Portrait Negative Retouching
PH362 Spring 3/5/75
(see above in the Computer Courses)
Historical
Processes
PH247 Spring 3/5/75
This course designed to offer the student an in-depth look at the history
and aesthetics which charted the course of the nineteenth-century photographer,
as well as provide the student with an opportunity to experience, hands-on,
the creative potential of the gum bichromate process and the elegance of the
platinum print.
·Lab fee ··Prerequisite: PH211
Photo
Science
PH209 Fall 3/4/60
A course designed to refine the student’s laboratory techniques and
to instill within the student a greater understanding of photographic chemicals
and processes. ·Lab fee. ··Prerequisite: PH102
Photography
for Interior Designers
PH103 Spring 2/3/45
This course helps the interior student better understand how photography can
aid in their visual communication. Lighting and design skills are stressed
and the over all practice of photography.
·Lab fee
Photojournalism
PH116 Fall 2/3/45
A beginning course in photojournalism which includes its history and a survey
of current
general markets. Also surveyed will be corporate communications and local
and regional press.
·Lab fee
Photographer’s
Portfolio
PH250 Spring 2/3/45
A lecture studio course in which final refinement of the student’s portfolio
is the ultimate goal. In addition to class assignments, students will be expected
to work on specially tailored individual photographic assignments under the
guidance of the instructor. Emphasis will be placed upon elevating the student’s
employment potential, facilitated by simulated professional portfolio presentations
and interviews.
·Lab fee ··Prerequisite: PH211
Product
Photography
PH121 Spring 3/5/75
This course will concentrate on the creation of high quality studio product
photography, such as would be required in the world of corporate advertising
or annual reports.
·Lab fee ··Prerequisite: PH122
Senior
Degree Project
PH452 Spring 3/5/75
A final summation of the student’s photographic education; a production
of a singular body of work which will incorporate techniques, themes, and/or
concepts learned in all of the earlier courses.
·Lab fee Prerequisite: PH211; PH441
Studio
Photography
PH422 Spring 2/3/45
The production of a professional quality, commercial portfolio; the production
of a singular body of work incorporating techniques, themes and/or concepts
learned in all of the earlier courses.
·Lab fee ·Prerequisite: Seniors only
Studio
Portraiture
PH122 Fall 3/5/75
This course is designed as an introduction to the equipment and procedures
of the professional photography studio, and will concentrate on the formal
portrait.
·Lab fee
The View Camera
PH219 Fall 3/5/75
This is a hands-on course dealing with the
techniques and capabilities of the large format camera, including architectural
perspective and depth-of-field control. Emphasis will also be upon the concept
of equivalence, as evidenced in the works of such masters as Weston, White,
and Bullock.
·Lab fee ··Prerequisite: PH102
Video Productions
PH471 Fall 3/5/75
(see above in the Computer Courses)